Roller skating in LA isn’t limited to 20-second reels on social media. Meet these senior citizens who continue to enjoy skating well past their prime. 

James Franklin still remembers the heyday of roller rinks in 1950s Chicago, where he grew up. That’s when he first picked up the hobby and fell in love with it. Work, marriage, and obligations kept him from skating as he grew older, and it became a memory of his youth. 

Over four decades had passed when he found his old, worn-out roller skates in the attic as he began packing to move to LA. The rolls looked run down, the straps appeared flimsy, and the bearings looked like they’d break down anytime. But James felt a gentle nudge to put it on. 

“Something inside me said, ‘You should put those skates on again,'” James shared. “So, I put them in a box and some old belongings I didn’t want to discard.”

In LA, James didn’t get to skating immediately. Settling down took some time. And it wasn’t a few weeks before he finally arrived at the Moonlight Rollerway, a famous roller rink in LA County that had been operational since the 50s. As someone who moved there recently, James wasn’t very familiar with the city’s skating scene. Embarrassed of being the only old man there, he thought of bolting out from the parking lot and heading back home. 

However, the different colors of neon light at the entrance looked inviting and reminiscent of his youth. More importantly, he noticed two older gentlemen walk inside, holding the skates by the back wheels. This sight gave him the confidence to strut in without fear of being seen as out of place and out of time. 

“I checked in at the counter and headed straight for the rink. The bearings gave in about 20 minutes into the floor, and I had to walk off the rink, dragging one foot behind the other,” James recounts. “It was all I needed to rekindle the passion still in me.”

Today, James Franklin is 72 and part of a never-say-die troupe of seniors who spend every other day skating their hearts out at the rink. Some members of this group are in their 50s, while others are in their 70s. They’ve been meeting regularly for skating sessions long before today’s TikTok trends revived this pastime. They consider it as exhilarating as the thrill-inducing rides at amusement parks. 

Of course, the regulars at LA’s roller rinks come in all ages, shapes, and sizes. However, the older black skaters remain the most regular attendees. 

Roller skating in the black community has a long history that thrived during the Jim Crow segregation laws and the long fight to push for equal rights. 

“It’s funny to hear kids today say that roller skating is making a comeback,” says Shawn Dandholm, a retired stuntman and former fitness instructor. He began skating in the early 70s and is a stellar member of LA’s older skaters’ community today. “Roller skating as a recreational activity never stopped with the black community,” he continues. “I saw black adults engage in it when I was a kid, and I see older citizens like myself continue enjoying this pastime.” 

The 2018 documentary “United Skates” explored how roller rinks in LA thrived as a subculture and how communities worked together to keep them alive over the years. Instagram stories today feature roller skating reels that typically show a young white woman waltzing around in skates with grace and elegance. The skating culture captured in “United Skates” was the complete opposite. This documentary featured roller disco grooves, toe jamming, and shuffle skating set to the groovy beats of old-school R&B and hip-hop music

Skating rinks are havens for family gatherings and weekend outings for the black community here. Families occupy ring-side tables and take turns stepping into the rink to showcase their moves and styles. 

James Franklin believes that skating has always been a cultural element in their lives. “Most of the mainstream white crowd abandoned roller rinks by the late 70s and 80s,” he says. “But for us black folk, it has continued as a favorite recreational activity till today.”

Indoor roller rinks aren’t as popular as they used to be. You’ll find only a handful of operational and packed rinks in LA. Franklin’s regular destination, Moonlight Rollerway, is one. World on Wheels is an even more popular joint in Mid-city. San Fernando Valley’s Northridge Skateland continues to attract decent crowds, especially from the city’s black community. 

However, there are countless other cases of rinks closing or abandoning operations due to poor attendance. LA’s racial divide in the past and rising property costs today contribute to the downfall of old rinks that once saw untold traffic. 

Tracy Foster, a 61-year-old retired medical worker, remembers how roller rinks became fewer and fewer as she grew up. She started at her first rink on Melrose Avenue when she was barely 13. Then, a gradual decline in rinks and shutdowns followed her teenage and adult years. Andy’s Roller Palace closed down first. Then, Mulholland Roller Rink closed down, followed shortly by Sonic Skates Center and Velocity Rink. Today, she continues relaxing at World of Wheels, hoping it doesn’t shut its shutters in her lifetime. 

“Skating is an incredibly liberating experience, and there’s no comparison to any other activity,” Tracy says. “You go to the theatre on a date or join a book club with like-minded people. With skating, there’s no dependence on the presence of friends or companions. You can break free in solitude and enjoy the movement in peace. Of course, doing it with friends is even better. It’s simply a win-win all the way!”

The thought of watching the remaining rinks close down troubles Tracy. “I hope these few rinks we have left do not go bust. It’s a leisure activity that I don’t think I can forego at this stage of my life,” she adds. 

People who drop in to roller rinks occasionally may not understand the attachment regular goers develop to the activity. But devoted practitioners agree that it’s a strong sentiment. Northridge Skateland’s manager, Sandy Mitchell, echoes these sentiments. “Drop into our roller rink during the weekends, and you’ll see regular skaters thronging in hundreds, awaiting their turn in the rink. Some of these older customers started when they were young and are teaching their grandkids to skate today. It’s a generational thing and a source of unforgettable memories for many.” 

“We have a ‘Grown Folks Rink’ on Sunday nights here,” she continues. “And it’s unsurprising to check in over 400 skaters on such nights.”

Places like Moonlight Rollerway and World on Wheels generate the same attendance during their ‘Adults Only’ weekend nights. 

Sandy mentions the impact of older folks attending as regulars. “Many of our patrons are senior citizens and retirees looking to enjoy a lifelong pastime. And they form a huge demography if we look at our customers in age groups”. “Outdoor skating joints are great for young folk,” Sandy continues. “But they’re simply not the right fit for seniors and older community members. Tripping hazards, uneven surfaces, crowded spaces, and the inconvenience of foot traffic all make it a dangerous affair for seniors. Most of my older customers dislike skating outdoors while exposed to the heat, weather, and the elements”. 

Sandy Mitchell has worked in the roller rink industry for almost four decades. Her first job was at Andy’s Skating Haven as a 17-year-old, waiting tables and taking orders beside the rink. Skating Haven closed down years later, but her experience and expertise in the industry bagged her managerial positions in many more joints. 

“The restrictions during the pandemic put the roller rink industry in turmoil,” Sandy explains. “Like many other rinks, we had to lay off dozens of our employees because the revenue wasn’t coming in. The few that remained had to survive on partial salaries and budget cuts. We survived the first few months thanks to the emergency Paycheck Protection Program. But the pandemic continued long after this program stopped supporting our staff.”

She agrees that the return to roller rinks post-pandemic has remained the same. “It’s been an uphill battle trying to reconnect with the community and reviving their interests since the lockdown. Some older skaters have aged beyond the skating phase in the process. Many enthusiasts lost access to rinks and eventually lost interest in the activity. So, the return to normal has been slow and staggered compared to other industries like movies and dining.” 

World on Wheels manager Carrie Henderson echoed a similar message. “The year 2020 left us in a grim situation with almost zero hope of recovery. Repaying customers for booked slots, refunding yearly memberships and subscriptions, and equipment maintenance costs left us in a dreary position. We thought we were done. Fortunately, the last few years have witnessed a gradual recovery in attendance and visitor numbers. But the numbers don’t compare to our pre-COVID times,” she explains. 

A primary reason roller rinks experienced a slower post-pandemic return to normal was a clerical omission in the legislation. California recognizes skating rinks as family entertainment centers. As the pandemic died down, the government released guidelines for reopening and resuming activities in this category. However, the document did not mention roller rinks (even though it explicitly listed other family entertainment venues such as arcades, theatres, and bowling alleys). The reason was that roller rinks drew larger crowds who circled a confined space for extended periods. This legislation led to a delay in roller rinks reopening to full capacity after the pandemic. 

Today, older folks’ continued participation ensures that the remaining roller rinks in LA stay operational. And a big part of this crowd is the older black skaters who nurture decades-long skating passions. However, the interest from younger crowds continues to wane, and it’s a concern for most roller rink operators. 

The rise of roller skating trends on TikTok and social media has helped usher in a “comeback” for the mainstream crowd. And struggling rink owners admit that it has helped boost some equipment sales. But most trends support outdoor skating, and the fad remains restricted to the younger audience whose interests may shift within a few weeks or months. So, it’s not much help regarding indoor roller rinks experiencing a resurgence. 

Sandy Mitchell admits she has tried transitioning to outdoor skating. “A few friends and I go around the city occasionally, looking for viable places to skate. And we sometimes find nice locations around corners or on nearby streets. But it becomes impossible to continue skating in such areas because other outdoor skaters start swarming there. And without the regulation of a manager, it’s really not practical for big crowds to skate in the same location outdoors.”

Katie Field, 49, who teaches at a local school, says she has skated every Sunday along the beachfront. “I never thought I could move on from indoor skating. But my Sunday sessions along the beach route have opened up new experiences that I never expected,” Katie shared. 

A local resident, Annie Sheffield, shared how roller skating gave her a renewed source of pleasure and contentment in retirement. “My life had revolved around my children since I had my first child. After they went off to college and later settled down, I did not know what to do with my time,” shares Annie. “Then, an old friend of mine invited me to ‘Adult Nights’ at the local rink. That’s how I started skating on weekends again. Now, I visit the rink or skate by the block almost every day. It’s also the most exercise I’ve had in years!”

James Franklin also admits that outdoor skating has caught his fancy. He continues frequenting Moonlight Rollerway on Sunday evenings. “The Rollerway will always be my go-to roller rink. But skating outdoors, with the fresh air hitting your lungs, is also an amazing experience. I still prefer the community and comfort of indoor rink skating. But I don’t mind taking a day or two skating through the streets of the city, exploring new spots, and finding new destinations,” said James.

The LA Fashion District is a popular fashion hub packed with textile stores, fabric stalls, sample sales, and delicious eateries. It’s basically a huge outdoor mall space that’s exciting and rewarding to explore. 

Whether you love textiles or are a fashion expert, the Los Angeles Fashion District has something for everyone. From food and fashion to accessories and perfumes, the District is also home to the biggest flower district in the U.S. Check out sample sales at the Gerry Building, hit up the buzzing outdoor market at Santee Alley, or discover designers’ hidden showrooms.

Check out our quick guide to the L.A. Fashion District to get the most out of your experience.

What to Know Before You Go

The LA Fashion District is one of L.A.’s top shopping destinations. It’s a must-visit for fashionistas, designers, and bargain hunters seeking eclectic items. While there are many online sources for fashionable deals from Depop, selling used and vintage items, to Duuupe, the site that offers affordable alternatives to luxury products, nothing beats the IRL hunt. For this, we find the main route to the L.A. Fashion District, which follows Santee Alley. It’s an open-air market spanning two blocks that features boutiques, street stall vendors, retail outlets, and more. It’s open 365 days of the year. The Fashion District is also near other local attractions, such as the Flower District, open to the general public, and art and entertainment venues, including the Orpheum Theater, the Avenue des Arts, and Escape Room LA.

What to See

The LA Fashion District can be a lot to take in. If you’re hitting up the area for the first time, here are the top places that you don’t want to miss.

  • Santee Alley

Where: Located between Maple Avenue and Santee Street and stretching from Olympic Boulevard to 12th Street

When: The best time to shop is from 9:30 am to 6 pm (some shops may close at 5 pm)

Santee Alley is a bustling market space packed with the latest fashions in clothing, shoes, jewelry, makeup, and perfume. It’s open year-round, rain or shine.

  • Flower District

Where: Between 7th and 8th streets at Wall Street and San Pedro Street

When: Monday, Wednesday, & Friday from 8 am to 12 pm and on Tuesday, Thursday, & Saturday from 6 am to 12 pm.

Spanning six blocks, the area is the biggest wholesale flower district in America. You can find tons of fresh flowers, greens, fillers, decorations, and floral supplies. Some stores charge a $2 admission fee for weekdays and $1 per person on weekends, while others are free. The California Flower Mall is free and open 7 days a week.

  • Textiles and Fabrics

Where: On 8th Street to Olympic Boulevard, located between Maple Avenue and San Julian St.

When: Typically open from 10 am to 5 pm

Sample Sales

Where: Located along 9th & Los Angeles streets, at the California Market Center (110 E 9th), Cooper Design Space, New Mart (127 E 9th), and the Gerry Building

When: On the last Friday of each month, typically from 9 am to 3 pm.

The Fashion District contains high-end designer showrooms with end-of-season samples at discounted prices. Pro tip: Come early, bring cash, and keep in mind that most samples come in sizes 2-4.

How to Get There

The Fashion District covers more than 100 blocks in Downtown Los Angeles. If you’re taking the Metro, hop the Blue Line to San Pedro Station, which will take you to the southern edge of the District. You can also take the D and E lines of DASH routes or use ride-sharing, bike-sharing, or dockless scooter services. The area also offers hop-on, hop-off bus tours and private tours, making it accessible to every kind of traveler. 

Best Time to Get There

Most shops are open from 10 am-5 pm, while the Santee Alley stalls are open year-round during normal business hours. It’s always a good idea to check an individual store’s hours in advance.

Where to Eat

eateries in downtown LA

If you’re a foodie, Downtown LA is the perfect place to be. Grab lunch at one of these fantastic eateries or check out a list of restaurants from the L.A. Fashion District. Enjoy brunch at Poppy + Rose. Located in the Flower District, this restaurant offers great food and an Instagram-worthy ambiance. Don’t miss the flowers, the cute coffee mugs, or their scrumptious fried chicken. They even serve breakfast all day. Check out the Mexican-inspired cuisine at Cilantro Lime restaurant. From fried cheese taco shells to Hot Cheetos, quesadillas, or bacon-wrapped hot dogs, there’s something for everyone to love. Wrap things up with an artisan coffee from Cognoscenti Coffee roastery on South Olive Street near the California Market Center. For fine dining, head to Rossoblu, an authentic Italian restaurant with a Bolognese-inspired menu near Santee Alley.

Pro Shopping Tips

Get your bearings and plan before you hit the streets to snag samples and sample food from tasty eateries in the District.

  • Come early and plan to stay all day. Exploring the Fashion District isn’t a quick trip. Expect to spend at least 10 minutes navigating traffic and finding parking. 
  • Ditch the stilettos. This neighborhood is best explored on foot, so wear comfortable shoes to get the most out of your visit.
  • Carry cash. Many vendors, retailers, and stallholders don’t take credit cards, so come prepared. Some bathrooms also require coins to use.
  • Bring a water bottle and a big tote. Since you’ll be on your feet and on the move all day, it’s important to stay hydrated. A tote bag can help you keep smaller purchases at hand without having to head back to the car. If you plan to buy a lot, consider bringing a collapsible cart.
  • Watch out for counterfeits. Keep an eye out for hawkers selling fashion fakes and save your money. It’s illegal to buy counterfeit goods.
  • Take a lunch break. There’s no need to shop till you drop when dozens of amazing coffee shops, popular lunch spots, and rooftop bars exist in the area.
  • Stick to the area between Los Angeles Street and Broadway for high-end items. Find couture items between 8th and 11th Streets.
  • Layer up. Since many stalls in the District don’t have changing rooms, wear light layers that you can easily remove if you plan to try on items.
  • Shop in bulk. Vendors are more likely to give you a discount.
  • All sales are final. Most items are sold in an “as is” condition and are not refundable.

Things to See Near L.A.’s Fashion District

While you’re in the locale, check out these other fun and historic sights close to the L.A. Fashion District:  

  • Historic Core
  • The Grammy Museum
  • Los Angeles Broadway Theater District

Can a region’s geography stigmatize its reputation? South Central Los Angeles is pretty much the answer. The area is located within the city limits in the Southwestern part of LA County.  

It’s a rectangular-shaped region placed like a puzzle piece in the heart of Los Angeles. According to a KCET report, it was renamed South Los Angeles in 2003. The area has undergone much unrest and racial oppression, which results in stereotypes by outsiders. 

Who would forget the article published by the UK’s Daily Mail in September 2016? The derogatory headline with a subtle hint of racial slur writes about the area where the mother of Meghan Markle resides.

An excerpt from the article: “Plagued by crime and riddled with street gangs, the troubled Los Angeles neighborhood that Doria Ragland, 60, calls home couldn’t be more different from London’s leafy Kensington. But social worker Ragland might now find herself welcoming a royal guest to downtrodden Crenshaw after Prince Harry was revealed to be dating her daughter

It shows that the British press fails to make a clear distinction between the geographical and historical aspects of South Los Angeles—a derogatory statement without much research. In reality, Meghan’s mother lives in the Crenshaw neighborhood of View Park, an affluent part of the region.

South Central LA has a population of over 800,000, which many assume is predominantly black. That’s what outsiders generally think. However, the region comprises diverse races and cultures that need to be embraced rather than sidestepped because of the stigma around them.

Can it break the stereotype? Many people paint this region badly because of its location. They often stigmatize the area or see it mainly as the African-American community. But beneath it, the place has a different story to offer. 

Geographical Aspect Of South Los Angeles

The region covers 51 square miles and includes over 25 neighborhoods and 5 unincorporated areas. One factor that makes this region invisible is its boundaries. It doesn’t have clear boundaries and is defined mainly by imaginary borders.

Take Historic South Central, a prominent neighborhood in the region that is 2.55 square miles. The area is bounded by Washington Boulevard, Vernon Avenue, and Flower Street and runs along the historic Central Avenue to the east.

Central Avenue became the epicenter of African Americans after the 20th century. The community owned various business establishments and residences. It was also referred to as the “Black Belt of the city.” 

Another instance is Tom’s Market- A one-story high brown brick building located at the center of the infamous 1992 conflict caused by the Rodney King trial’s verdict. It’s away from the intersection of Normandie and Florence Avenues. 

It is situated within the imaginary borders of the South Central but geographically outside its historic boundaries. Leimert, Baldwin Hill, and Crenshaw neighborhoods are also located outside this perimeter. 

Transcending Geographic Limit Through Race

South LA demographics have changed massively. The early 1970s saw South American immigrants relocating to this region. The 1980s saw street gangs becoming more powerful and dominant in different areas. These attributes led outsiders to paint this region as notorious or a ghetto. 

The Crenshaw Boulevard spans over twenty-three miles, with vehicles taking this route from Mid-Wilshire to North Via Central LA. The boulevard passes the Crenshaw district, which includes affluent areas such as Windsor Hills and View Park. It ends in the Rolling area, which is also a wealthy location. 

Regardless, anywhere there are African Americans, the east side of Interstate 405 is culturally called ‘South Los Angeles.’ It also comes with a subtle hint of derogatory remarks. The same can also be said for border cities such as Compton, Long Beach, and Inglewood, which share similar demographics. These cities are not geographically part of South Central. 

As in any place, the inhabitants of South LA live ordinary lives. Movies and pop culture may have shown a different image, but it’s quite a contrast with reality. It’s not surprising that many have formed an idea of this region based on what they have seen in various forms of media. 

Mr. Ronald, a writer and doctoral candidate, comments that South LA differs from other parts of Los Angeles. He said it’s a region comprising multiple types of citizens holding different job positions, from higher-level to simple designations. 

He also added that the region is working class, like any other neighborhood in Los Angeles. Furthermore, Ronald said that South LA is also home to well-known personalities like Ray Charles, Tina Turner, and Steve Wonder. 

Amidst prominent personalities residing in this region, violence, crime, street gangs, and illegal drugs exist. Since the African-American became the face of South Central LA, the community has suffered from stereotypes the most.

However, in the 2000 census, Latinos were the majority, comprising 87.2%. The black community makes up 10.1% of the historic South LA. Baldwin Hills, Leimert Park, and the Crenshaw district are predominantly black areas. The affluent African-American resides in Ladera Heights, Windsor Hills, and Baldwin Hills, located on the West Coast. 

However, the place of African Americans in this region is continuously disappearing. Raymond, a South LA resident for almost seventy years, moved here from Texas in 1955. 

He states that the biggest issue in the Black community is selling properties that the parents have left. One of his pals sold his grandmother’s house and moved to Moreno Valley. His friend lived rent-free in his grandma’s duplex, but eventually sold off the property after she passed away. 

It’s understandable why some want to leave this area and start anew. Regardless, the region is not what it was years ago. Crime rates have declined since the early 2010s, police patrol has improved, and there is redevelopment. Various initiative programs to reduce crime and gang activity have also begun to improve the community. 

South LA may have witnessed some of the worst social unrest and racial oppression, but the region has thrived regardless. Outsiders may think of this place as a ghetto or area with gangs, but not many have seen it beneath the surface. The region has more to offer than what it’s portrayed in the media.

People from different races and communities live in peace and acknowledge each other. Once seen as a Black monolith, South LA now comprises multiple races. Over time, the existence of various races has helped break stereotypes. 

Of course, crimes and violence still exist, but they have improved more than they were years ago. People residing in these areas have no complaints, and most say their neighborhoods are quiet and peaceful. 

A Brief History of South LA And Its Culture

Historically, South Central LA has undergone complex changes that encapsulate spatial inequality. It’s a region that has witnessed some of the largest protests against racial oppression. Despite much unrest and racial wars, South LA has stood the test of time.

The 1980s saw a massive migration of Central Americans and Mexicans to South Central. Due to economic instability, many have moved to this region. Despite the differences, peace between these communities persisted over time.

Pre-WWII, South Central LA was diverse, like the Eastern neighborhood of Boyle Heights. Mexicans, Jews, Italians, Chinese, Japanese, and Blacks lived together as they were prohibited from residing where the Whites lived.

The region is an architectural delight with prominent historic places. For instance, there is an 80-year-old theatre with Spanish-style art deco in Leimert Park. According to cultural.org, this vision theatre was once operated by Fox West Coast Theaters. 

Also, there is the famous Los Angeles Coliseum, which hosted the 1932 and 1984 Olympics. Furthermore, who can forget the Watts Towers? It is a group of seventeen interconnected structures built by Simon Rodia, an Italian immigrant, over thirty years. 

Kendrick, a sixteen-year-old high school student, is pursuing a career in software development. He said people are surprised that many reputable institutions are located within the borders of South Los Angeles.

Swiveling in his gaming chair, he proudly said, “There are excellent universities and a Natural History Museum.” Also, commenting on his neighbors, he said some are nice, while he grew up with some of them. He added that some are not safe.

It’d be unfair to paint the citizens of South LA as bad people or the region as unsafe. The area is blessed with a Mediterranean climate and has fantastic neighborhood policies. In short, it’s an amalgamation of good and bad. 

One may encounter the Crips and Bloods gangs in these areas and, at the same time, come across scholars, students, anime nerds, celebrities, doctors, and dentists. There are affluent families as well as those struggling. 

Which city or region doesn’t have this socioeconomic disparity? Eventually, you have a narrow mind if you consider everyone in South LA to be avoided. They are not degenerate or hopeless.

After mulling over various potential income streams, I settled on hand modeling as the perfect, quick, get-rich-quick endeavor. With a faint recollection of someone, it was probably myself, praising my hands; I envisioned raking in millions by showcasing and posing my hands in various scenarios.

I typed in ‘hand modeling L.A.’ on Google, and behold! There was, disappointingly, one casting agency with open auditions: Body Parts Models, Inc. Without such inclusive, open sessions, I wondered how aspiring hand models even got their start in the industry.

I envisioned myself poised in the lively food court of the Glendale Galleria Mall, gracefully holding a soda can. A discerning scout for hand models observes the practical finesse and is awed by how my delicate hands make a medium-sized paper cup gleam. “Excuse me, miss, you should consider being a hand model,” he suggests. Contemplating the idea, I reply, “I’ll give it some thought,” deftly accepting his business card with my nimble fingers.

Meanwhile, I was reading Body Parts Models Inc.’s instructions for their audition on their website. My first step in preparing my hands for their debut involved painting my nails with two coats of Essie’s Ballet Slipper pink. Amidst choices like Powder-Me Pink and Fairy Wings, I locate Ballet Slipper, appreciate its sheer beauty, snag it with a coupon, and head home. Opting to handle my own manicure to avoid micromanaging a professional, I picked a color that proved to be a dazzling selection. Now adorned with the perfect hue, I feel ready to exhibit my hands, perhaps while elegantly holding a bouquet of parsley for a grocery store ad.

The next day, I headed to the audition in a Beverly Hills neighborhood. The street, lined with older homes, hinted at a peaceful haven for elderly couples along Coldwater Canyon Drive. The residential setting gave me pause, but a sign on the door, reassuring “talent” (yes, me!), guided entry from the back. Opening the back gate, I discovered a group of America’s most eager and hopeful body parts models.

I was mistaken in thinking I had stumbled upon a niche job market. The attendees weren’t just aspiring hand models; they represented all 14 specialized divisions: lips, eyes, hair, neck, ears, feet, and more. I can’t even name 14 body parts, let alone envision them all ‘modeled up’ in an ad.

The lengthy queue wound around the pool (obviously, there was a pool) and meandered through the patio. Each person was unique. I found myself scrutinizing them, attempting to guess their intended modeling focus. Some seemed seasoned and familiar with the process and the layout. I believe I even spotted someone who brought their own fold-out chair.

A couple of staff members helped us with sign-ins and directed people to the pool house for restroom access. I queued up behind a shirtless guy, probably targeting abs, or maybe he was just trying to catch some Beverly Hills sun. Marie Teglovic, the casting agent, eventually emerged. Tall and blonde, her enthusiasm for the job was evident; she paused to exchange hushed words with two members of the staff. Proceeding, she walked through the crowd and stationed herself at the backyard’s highest point, turning it into her stage.

With such a public setup, everyone’s audition was on display. Marie made instant decisions, signaling whether you advanced to the photography line, indicated a potential signing, or was a simple exit. Almost everyone proceeded to the photography line. Around 45 minutes into the wait, I witnessed the first rejection. A girl pleaded loudly with Marie to consider any qualifying body parts. In her desperate moment, Marie, unable to dismiss her outright, asked to reevaluate her hands. After a moment’s reconsideration, Marie approved, and the girl went off to have her hands photographed, her expressions of gratitude fading away as she walked off.

When my turn arrived, I exchanged a knowing glance with Marie. To get a head start, I took photos of my hands and emailed her an introduction. Taking those photos was a notable achievement, as I had to manage the camera while also holding my other hand in a relaxed, demure pose.

I used a self-timer and held the camera in my mouth to get a shot of both my hands. Despite having friends who could have assisted, I chose to sidestep potential embarrassment and maintain a semblance of self-respect. The email response praised my hands, stating, “These are nice hands!” It also extended an invitation to an “Exclusive Model Casting,” which, as it turned out, was this very same public event listed on their website, open for anyone to observe and participate.

Linda requested to see my hands, and I awkwardly extended them for her scrutiny. Her rejection was somewhat prolonged, as she said she didn’t find my hands suitable. She asked whether I had anything else to showcase, specifically any of the 14 eligible body parts. While I did have nice elbows, I politely declined the rest of my body to her; I’d decided by then that she didn’t deserve to see them and left.

About a month later, I received an email from Marie asking hand models on her roster to confirm their attendance for an audition. I had assumed that if companies chose your photo, you simply showed up for the shoot. This was my misconception: that you needed only one audition—the one to get signed.

I couldn’t grasp that it involved more effort than that. I was mistaken. Once signed, you may attend several auditions before securing a booking. While this prospect might excite someone passionate about hand modeling, for me, I realized that hand modeling wasn’t the fast-money-making job I’d thought it was, and honestly, it required too much effort. I chose not to respond to Marie’s email. Let’s be clear—I turned down hand modeling; it wasn’t the other way around.

Although hand modeling isn’t listed as a skill on my resume, I find ways to bring it up in everyday conversation. Don’t ask me to pass the salt; it turns into a whole-body affair. “Here we have a fine pink Himalayan,” I say, delicately lifting the salt with only my thumb and index finger, pinky up.

Local French eatery Figaro Bistrot at Los Feliz invites passersby with its cozy indoor ambiance and relaxing curb-side tables. 

Many residents claim that this quaint little bistro has the best escargots in the city. Other times, it’s common to see local influencers dropping reviews of their Steak Tartare and pastries on social media. 

The cafe is usually swarming with regular patrons and teeming with first-time visitors to the neighborhood, too. Local TikToker Casey Kramer shared spot-on impressions of how tricky it is to walk past the curb when regulars are seated along the patio. 

With over 50k likes and a few thousand reposts, the video has garnered quite the buzz among locals and fellow TikTokers. 

For one, residents are all too familiar with the distasteful looks you get from some diners as you walk past the cane chairs lined up outside the establishment. And Casey’s followers agreed that her impressions of these diners were on the money. 

Other viewers loved the characters she played while making these impressions. The artsy Instagrammer constantly on her phone and swiping through the latest filters, the singer-songwriter discussing the new equipment in his studio, and the small-time actor sharing about their next big break coming up soon were a few of the characters she nailed during the sketch. 

Casey’s TikTok drew so much attention that some viewers latched on to the smallest and pettiest of observations. For instance, a handful of viewers pointed out her apparent mispronunciation of ‘Los Feliz,’ while others debated whether Figaro Bistro’s location qualifies as Eastside LA. 

Either way, the somewhat viral nature of the video did bring a lot of attention to Casey, herself an actor and songwriter. “Honestly, I wasn’t expecting it to resonate with so many people. Moving forward, I’m going to be doing more impressions for sure!” she admitted. 

The Capitol Riot, which occurred on January 6th, 2022, was a way for President Donald Trump’s supporters to express their anger over his failure to be re-elected. A mob of almost 2000 unmasked people, flaunting their patriotism with red, white, and blue flags, sieged the L.A. City Hall, while hoisting signs manifesting Trump’s famous slogan, ‘Make America Great Again. Others, proudly armored with guns, displayed messages such as ‘Stop the Steal’ and ‘Drain the “swamp.”

The mob of protesters, enraged by the results of the 2020 presidential election, began a peaceful march. This conflict-free rally went haywire and transformed into a vicious and frenzied sight wherein physical assault was carried out upon two photographers. Counter-protesters were battered and doused with pepper spray. However, in the thick of such mayhem, an old street food vendor by the name of Gabriel Josè Garcia stood alone with complacency.

This vendor reached the autumn of his life at 53 years old and could be seen grilling his food, undisturbed by the chaos. He did what he has been doing for the past 25 years, and he was adamant to carry his weight by marketing his food, one of which is considered L.A.’s most celebrated grub, the Danger Dog.

Donning his usual hat and t-shirt, he had only one thing on his mind, which was to give his family el pan del día (daily bread). In his first language, Spanish, he stated that he had left “it” in the hands of the Lord and that he had not had a single thought about the riot. He was there to earn his living and care for himself and his family.

Garcia said, “I did not plan to go there with the idea of getting hurt or ill. I did not think of the fights happening. I just went there to do my job and earn the money my family needs. Ese día sólo tenía un objetivo en mente y trabajé hasta la noche (That day, I had only one goal in mind and I worked till the night).”

The hoard of Donald Trump patrons noticed Garcia as well and poked fun at him during the event. “What are you doing around this area, amigo?” asked some commenters. “You should be standing over there!” Despite being seen as a nuisance, Garcia felt no danger and stood unafraid in the same spot since the beginning of the day. He set up shop like usual, only worried about getting fined by the police or even arrested. His worries increased when he saw the rally’s tension grow.

A video of Garcia was taken without his knowledge. The team in charge of doing so was Fox 11 News, which screened the clip during its segment, and the clip became virally known in every nook and cranny of social media. The first person to upload this video clip was a Twitter user named Edwin Munera. He posted it on his account, unveiling the figure of a masked vendor on the street, Garcia, with a Rams hat on his head, standing unbothered in the cluster that is the crowded rally of Trump supporters.

Munera, on the phone, stated, “I’m only relieved it was possible for him to get the money he well deserved, and that nobody caused any inconsiderate disturbance to him.” Through bated breath, he said, “It’s difficult for Hispanics to get their earnings, or even imagine profits; it’s tough with those people.”

In Garcia’s experience, this was not the first time he witnessed a similar incident. Almost three decades of his involvement in the street vendor scene have equipped him with experience in dealing with several protests and large crowds. Before the Capitol Riot, he saw the rise of the Black Lives Matter processions, which highlighted acts of racism since 2013. Along with this, he was also a witness to the crowds before the electoral results during the Biden-Harris celebration in November.

He remained for a long time during the siege. A fight broke out between the president’s supporters and those who criticized him. This was when police officers decided to intervene and handcuff around six people who were part of the brawl that erupted. This fight even reached Spring Street, near the LAPD headquarters. This prompted Garcia to finally thank God for his safety, pack his things, and leave.

Gonzales wore a smile that hid his tiredness. “I don’t feel bothered by criticism; not anymore,” he said, “I’ve worked in this field for a long time, I think you can say I’ve grown accustomed to such situations. The worst part is when police officers arrive without warning and fine us for selling food in this area. It really stings. When there are verbal insults that you hear every day, it doesn’t hurt you. But it’s a completely different thing when you get those ticket fines. A day’s worth of income will be wasted, and those sting far greater than any comment.”

He could not earn much money that day, so whatever he had, he pushed down his front pocket and fled the scene. His small red cart was in front of his hands, being moved away squeakily to his usual spot in the Eastern area of Central City. As he was walking away frantically, he recalled hearing the echoes of tear gas going off and the fracas echoing in the distance that grew the more he moved forward.

Throughout many obstacles, Garcia works to keep his family well-fed and in school. “It is not what the event is about,” said 22-year-old Juan Garcia Perez, one of his sons. “Prior to the rise of COVID-19, we could travel to different places, even as far as San Francisco or Las Vegas, sometimes even Colorado, to work at soccer games,” Perez states that his father is doing what he does daily, which translates to earning an honest living. However, the clip of him that day during the riot spread quickly and widely, and this, according to his family and friends, was a call for concern about his safety.

“I hadn’t even thought about it initially,” Munera said, “I was under the assumption that it would just be a random video of a hot dog vendor. But then it suddenly occurred to me that it was a bloody Trump rally.”

Before the pandemic engulfed the world, Garcia, along with some of his relatives (such as his mother, his mentor, and his sole introduction to the art of street vending and its minutiae since he was twelve), would go around finding spots to park their little food carts in areas where it was common for a large gathering to occur. The usual hubs in mind would be the Staples Center, the L.A. Convention Center, Dodger Stadium, and even outside high schools & elementary schools.

Garcia spoke, “If there was a march held or an event happening, I’d always be there. Whether it’s a buzzing Lakers game or a Black Friday sale at the Staples Center, I’d try my best to show up. No matter what event, I’d be there. Then almost abruptly, these events were canceled and everything shut down.”

Street vendors, who have mostly been those who are of Mexican descent, have fought a long and hard battle in terms of the decriminalization of street vendors in L.A. In January 2020, they finally won. However, a short-lived celebration was marred by the problematic permit process, prompting vendors to continue operating illegally.

When the pandemic hit L.A., the precarious situation of street vendors and their role in the city worsened significantly. “It was disastrous,” Garcia said, “It wasn’t only my problem, of course. It was devastating for us all in terms of finance, because I had a huge dependency on events like marches, rallies, and such to get my bills paid for housing, food, and everything.”

The family frequently moved around the state due to financial constraints, putting their lives in danger and placing them on the front lines of the pandemic.

Perez stated that five years ago, two residents of Pico-Union passed away after the truck they were driving flipped upside down as it was going from San Francisco to Los Angeles. “We grew up together,” he stated, “We sold beside each other. That happened while they were trying to earn money to live, to simply go and sell hot dogs.”

In the previous summer, Garcia encountered three men and was almost mugged while they screamed at him to give them his money when he was trying to sell off his raspados. He had a bright mind and a lucky soul, as he ruined their plans when a good Samaritan happened to drive by and helped him when he was surrounded by the men.

“That is the tale of every street vendor and their daily lives. How my father has to adjust his plans to earn enough to pay the bills. Sometimes, poverty can be seen as a romanticized narrative; its struggle and hustle can be idealized. But if you look at the bigger picture, there are layers of hardships.” Perez said.

When he recalls the riot day, Garcia laughs to himself as he tries to decipher his news channel cameo. “Things like this make me too shy,” Garcia said, “If you look closely at the clip, you’ll notice how I moved around. I made attempts to outflank them, but they got me that day. Pero pues aquí estamos (but here we are).”

If you are interested in helping Garcia and his family, they have set up a GoFundMe page!

In another turn of events over the murder of 18-year-old Andres Guardado, a LASD whistleblower might have opened a can of worms. 

LASD whistleblower Austreberto “Art” Gonzalez’s alleged reveal brings to the attention of the violent clique ‘Executioners’- a group of deputies based at Compton Sheriff’s station. As revealed by the whistleblower, the deputy who shot Andreas Guardado was a potential member of the violent group. However, some officials deny or claim to be false against the allegations.

About ‘Executioners’ As Revealed By The Whistleblower

The violent clique comprises deputies at the Compton Sheriff’s station. To become a member of the group, one should resort to violence, as the whistleblower testified.

As per the report by Gonzalez, some deputies belonging to the Executioners sport Nazi imagery tattoos and AK-47s. Reportedly, members become a part of the clique by committing violent acts such as executing members of the public. 

Gonzalez’s testimony, obtained by Spectrum News 1, also reveals details about the violent clique. It reveals deputies attempting to impress Executioners, a practice known as ‘chasing ink.’ 

It also revealed that deputies throw ‘998 parties’, which is a code for ‘officer-involved shooting.’ In law enforcement, it’s a situation where a deputy or an officer shoots somebody.

The LASD whistleblower further discloses that it was an act of welcoming a new member or celebrating someone getting ‘inked.’ Several claims have been made regarding the gang. 

What Happened On June 18, 2020, And The Aftermath Situation

Deputy Miguel Vega, on June 18, 2020, shot and killed Andres Guardado in Gardena in an alleyway. As per the autopsy, the teenager was shot five times in the back by the sheriff’s deputy. 

Guardado’s death is quite a complex situation. As per reports, he was an unofficial security guard at an auto body shop. The deputies spotted the teenager chatting with someone in a car. As per claims by the deputies, Guardado saw them, showed a gun, and fled.

The deputies chased after the teenager, and on reaching a nearby alley, Deputy Miguel Vega shot Guardado. Officials reveal that they have found a ‘ghost gun’ from the scene without a serial number.

Gonzalez, under oath, reveals that deputies involved in the shooting were prospects when asked if they were ‘inked members.’ However, Vega’s lawyer denies the report, saying it’s false.

The situation would have been less complex if the deputies had worn bodycams, but the ones that rolled out were only from October 1. Also, the video footage from across the street fails to show the shooting.

Amid the violent incident, there is also a report about these deputy gangs, which have cost millions in lawsuits to LA County. It is not the first time related to violence by deputies. In 2018, The Banditos, an East LA group, got into a brawl with fellow members at a party. It led to disciplinary action against 26 employees in connection with the episode.

Hal Miller was a criminal lawyer who died recently. He and my father have been friends since their teens. I knew him but never spoke with him in depth until sometime in the mid-90s, when I was doing a story for the L.A. Times. It was a story about the Eastside Boys, a group of black men born before 1940. My father and Hal were both members, but the latter was the group’s unofficial leader, expert, and historian. His house was like a permanent venue for reunions for years. But the yearly occasion wasn’t just a gathering; it was a homage to black life in Los Angeles in the early part of the twentieth century, which, when looking back, was its best years.

To grasp the magnitude of the gentrification taking over black neighborhoods in metropolitan L.A., it’s necessary to know what the Eastside meant to black people. Of course, not everything was ideal; racist tradition forced blacks to reside in different neighborhoods on the Eastside. The areas on the Eastside were west of Alameda Street and east of Main Street, and are currently called South Central. But despite the circumstances, the Eastside Boys, including Hal and my father, celebrated the gigantic possibility that L.A. seemed to offer, as they saw it from a small view of their surroundings. They celebrated it not only at reunions but every day of their lives.

The city was modern, with a sense of horizontalness, a mixed economy, and inexpensive homes. It looked like a place accessible to everyone, irrespective of color, class, or status, unlike New York or New Orleans. The climate also encouraged people to keep that belief because it’s moderate, and anyone from any climatic region can adjust quickly. The success of the Eastside community in the mid-twentieth century also increased hope for a better life, a hope that seemed to take form for future generations despite segregation.

It did happen; hope turned to reality in one way after the 50s and 60s civil rights movement, but it came with a cost. When restrictions on racial housing disappeared, the white community left the area en masse, leaving blacks in segregation once again. But prosperity continued, especially in the middle-class communities of Baldwin Hills, View Park, Leimert Park, and Crenshaw. These areas were off-limits to black people before.

As white people left the areas, they left Inglewood last and in large numbers. It was a different city for two reasons: first, it had historically opposed integration, and second, it was located at the extreme west if you consider Eastside. Though many white people left, a significant number of households remained even in the 1970s. Many blacks arrived and made the place their home, but the good life didn’t last long. Proposition 13, which limited the funding of various services, including public schools, had a disastrous effect. It later led to the onset of an epidemic in the form of crack cocaine, which was overseen by multiplying street gangs. The wave of immigrants from Mexico and Central America also changed the racial makeup of South Central and Inglewood.

As if all these weren’t enough, the rising cost of housing, sometimes called “the destabilizing force of the 21st century,” poses a threat and may take away any hope of a good life for the black community of L.A. The one factor, “affordability,” which made Eastside thrive, is no longer prevalent. Los Angeles is sharply vertical now, and only the wealthy and elites can afford housing. Besides, race and class are also intertwined, so anything expensive isn’t accessible to blacks as a group. The trend that the Eastside generation and Hal started is reversed now as the famed Los Angeles’ “good life” is scarcely accessible to blacks. The success the Eastside Boys saw and hoped would continue has stalled or been closed in most sectors. Various factors are pushing the black community out of blocks and neighborhoods.

Market Street In Inglewood

Return of White Community

This was an expected crisis, so nothing to be surprised about.

According to a study by the UCLA Luskin School of Public Affairs, the increase in housing costs and the decrease in wages are the two main factors driving the decline of South L.A. The price of houses is more than three times what it was in the 60s. The scarcity of jobs, the high cost of living, and rising home prices are among the reasons gentrification is taking over Crenshaw and starting to envelop Inglewood. The latter has become a much sought-after area in L.A. The real estate business has boomed in recent years, with housing costs soaring at least 63%, according to a study by Property Shark. The research also indicated that the catalog of two-bath, two-bedroom homes conveyed a sense of “suburbanity.”

Gentrification wasn’t an event that Hal and my father imagined when they were growing up in blossoming L.A. It is one thing about white people fleeing and entirely another thing about them returning. The phenomenon has, of course, been reshaping black neighborhoods historically – Bed-Stuy, Harlem, to name a few – but never to such a vast extent as now. It’s a fact to be worried about because the black population of L.A. has gone down to less than ten percent of the total population and poses a danger of being pushed out entirely.

Proposed Future Inglewood Development

The New Inglewood

The danger is more pronounced in Inglewood, where I grew up and reside today. It isn’t an ordinary black neighborhood in L.A. under threat. It’s a city with a 50% black population. But several factors, such as gentrification and impending economic and racial change, look very realistic for a place with its own culture, public image, school district, and government.

Many people, including my neighbors, say that even though gentrification has negative aspects, it’s the answer to reviving our image, which has been tainted for a long time. It’s also the perfect timing for a revitalization. There is plenty of development going on, as the city is home to a huge NFL stadium that will host two teams, the Chargers and the Rams. The surroundings consist of condos, various facilities, retail, and amenities. In a way, it looks like the phoenix rising from its ashes, promising to improve Inglewood. James Butts, the mayor, said that Inglewood is one city that has undergone a vast transformation in only 4 years from being a crime-ridden, jobless, and poverty-stricken city to something worthy and affluent.

However, there is one probable reality lurking around once the development is completed. The designs of gentrification in every area seem to oppose the idea of blacks and Latinos of Inglewood staying around to benefit from the revived city. If nothing is done, then the history of the black community, which thrived even under dire circumstances, could be wiped out.

But there is hope because something positive is happening, and one of the first steps towards that has been regarding the MTA rail line, which is under construction. Crenshaw Subway Coalition, a transportation justice organization founded by Damien Goodman, fought, and now the rail line is accountable to the communities of Crenshaw and Inglewood’s requirements. The organization has been working to oppose gentrification in both areas.

According to the coalition founder, every aspect is being transformed into something white people can accept and like. If it continues, then the people (blacks) who built the place and lived there for decades will be pushed out eventually. To prevent this catastrophe, the coalition plans to form a non-profit community land trust.

More Hurdles Ahead

But it won’t be easy, because black neighborhoods may have missed the opportunity. The leaders and politicians are at fault here because they depended heavily on government funding, but it hasn’t helped. Rather than relying on government financing, leaders could have sought private funding for development. It would have raised living standards and created stable jobs. Another reason for the missed opportunity is that black people often aim low in life just to survive and not to flourish.

If the community had been more forward-thinking and set higher goals, the scenario might have been different. The 1990s were when black neighborhoods could have done something and transformed the city. But that’s long gone, according to Michael Anderson, a developer and an architect.

Now, it seems that only gentrification or the return of whites can make things happen, such as safe streets, good schools, and ideal retailers. What black communities wanted and needed is slowly happening, but it’s coming at a high cost.

My uncle was one of the few people who obtained the Los Angeles dream. He bought a house in the 50s near Slauson Avenue, considered the demarcation line between white and black. His home was in the south of Slauson, and so he had a cross being burned on his property, but he stayed there.

Gentrification has many positive aspects, too. However, it doesn’t do much for black people because it involves them leaving and not arriving. There isn’t any neighborhood in L.A. to go to.

When residents in Los Angeles opened the front pages of the L.A. Times on the morning of January 29, 1934, some of them might have spilled their coffee out of shock at seeing the headlines. It was strange and exciting, but there was also an error. It read “Lizard People’s Catacomb City Hunted.” Legends about the lizard people had always been around, but it must have been the first time print media featured a story about them.

Jean Bosquet, an L.A. Times reporter, wrote the story on the claims of G. Warren Shufelt, a mining engineer. According to Shufelt, he had created a machine, “Radio X-Ray,” and mapped the area, which displayed amazing things.

Shufelt said the X-ray showed a massive network of tunnels beneath Los Angeles covering a vast area. Supposedly, these tunnels weren’t built by our ancestors but by another race called the “Lizard People.” He also said that several locations in the tunnels contained treasures.

The Newspaper Report That Aroused The Curiosity

So, did Lizard People exist and inhabit the undergrounds of modern L.A.? Or were they just rumors or folk tales of the past? We may never know, but it’s an exciting theory. But many people like Shufelt believed it. Here is a quote from the Jean Bosquet story dated January 29, 1934.

“Busy Los Angeles, although little realizing it in the hustle and bustle of modern existence, stands above a lost city of catacombs filled with incalculable treasure and imperishable records of a race of humans further advanced intellectually and scientifically than even the highest type of present-day peoples, in the belief of G. Warren Shufelt, geophysical mining engineer now engaged in an attempt to wrest from the lost city deep in the earth below Fort Moore Hill the secrets of the Lizard People of legendary fame in the medicine lodges of the American Indian.”

The reporter must have been overexcited because he hardly takes a breath to give the reader this exciting, weird information. The article continues by noting that Shufelt and his assistants truly believed there were tunnels and treasures under Los Angeles. So they had already started digging and inserted a shaft 250 feet inside the earth. The shaft entrance was on North Hill Street.

Shufelt trusted his device entirely and therefore wanted to continue inserting the shaft below until it reached 1,000 feet. He and his aides planned to stop after that if the venture yielded no positive results. The dig didn’t produce the desired outcome, so Shufelt and his aides abandoned the project by December of that year.

Along with the story, the newspaper also printed a map created by Shufelt based on his findings from the X-ray machine. Readers can understand the tunnels’ structure by looking at the image on page 5 of the paper.

The image showed an artist’s imagination of the Lizard People working in the top-right corner. On the left-hand side, it showed Shufelt and his assistants at the entrance to the shaft, and below, the engineer working with his device. The series of tunnels occupied the center of the image/map.

The tunnels were basically under the areas of Fort Moore Place, North Broadway, and North Hill Street. The article indicates that Shufelt and his aides believed that the Lizard People had a “Key Room” located under Broadway and 2nd Street. The “Key Room” was supposedly a place where the ancient race made plans and stored all their treasures, as well as important information written on gold tablets.

Investigations by a Times reporter into people’s hunt for treasure indicated that some enthusiasts dug but didn’t find any significant amount of gold. The reporter also discovered that a Times report from around May 1934 said an old-time prospector requested permission to dig on the hill, but the authorities denied it. It was because the county made a deal with Shufelt and his assistants to split 50-50 any profits from the dig.

Lizard People: Fact Or Fantasy

What made G. Warren Shufelt so convinced that the Lizard People really existed in the past and that they left behind a vast series of tunnels and gold underneath Los Angeles? After Shufelt’s machine showed results he believed indicated an extensive tunnel system, he met a Hopi Native American in Arizona who told him the legend of the “Lizard People.”

According to the story in the L.A. Times, the Hopi chief told Shufelt that around 5,000 years ago, a massive inferno burned down the entire area of present-day Los Angeles. The inferno is said to have been caused by a meteorite. Therefore, the “Lizard People” built at least three cities beneath the spot where L.A. stands today. It’s believed that the tunnel system is so vast that it reaches up to the sea coast.

The term “Lizard People” bestowed on the ancient race isn’t because they were reptilian in nature, as some conspiracy theories suggest today, or the kind shown in movies. Instead, they considered the lizard a vital being, and it symbolized long life. This race built the underground cities in the shape of a lizard, according to Shufelt’s narration. 

One of the cities shaped like a lizard below Los Angeles had its head under the Dodger Stadium. The site beneath the downtown Central Library was the tail’s location.  

The curiosity regarding the “Lizard People” increased even more when the “Journal of the American Society for Psychical Research” received a letter from a woman on September 26, 1934, who made some weird and shocking claims. 

The woman mentioned in the letter said she had a vision one evening on December 22, 1933, while with some friends. According to reports, her friends also confirmed the lady’s clairvoyant moment. 

She described seeing two civilizations at different times in her vision. One was a more recent one that had excelled in art and architecture and surpassed whatever is present today. The other vision was of an older civilization with underground cities and giant tunnels, some extending to the oceans.

She thought that this older civilization had built underground tunnels to deter attacks from others and safeguard its society. Her friends said that Miss Edith had the vision before the local media mentioned the Lizard People.

An Alternate Theory

While many people got curious about the Lizard People, the tunnels, and the buried treasure, others had different views regarding the story in the L.A. Times. Several individuals have said that the mining engineer’s “discovery” was nothing more than an attempt to gain attention, and that his claims were “tall tales.”

The report said that G. Warren Shufelt spread the rumor so he could dig for the so-called treasure. This theory emerged after it was compared with another rumor suggesting that Protestant graveyards in the 1930s held significant treasures.

It was a kind of “get-rich-quick scheme” with great promises but which delivered nothing. It seemed like that because digs and hunts didn’t yield anything that Shufelt initially claimed.

Urban Legend

Whether it was a hoax or not, Shufelt’s story about the network of underground tunnels and the Lizard People has become an urban legend. Locals and visitors are still curious, and indeed, Shufelt’s machine was right about one thing. There are tunnels beneath Los Angeles. 

Rumors abound that people used these tunnels to transport alcohol during the prohibition era. These tunnels are enormous, with some areas featuring huge hall-like spaces, but they are considered natural formations rather than artificial. 

Though the story says the Lizard People were superior humans who revered lizards, another theory holds that they were not. According to this theory, they are called lizard people because they’re reptilians who can shift shape at will. 

The assumption is that this race has a serpent/lizard head and a human body, has already infiltrated humankind, and has taken over the world. But that is a story for another time.

Though the project was discontinued, Shufelt disappeared from public view, and the stories stopped in the papers; people’s imagination didn’t. If anyone asks a resident about the Lizard People, they’ll hear the most amazing stories. 

Rumor, hoax, legend, or whatever people call it, there is something to ponder. Most legends have some truth to them. So, who knows? Maybe there existed a race superior to modern humans that built underground tunnels and cities.

While there isn’t any evidence yet, experts may someday develop highly sophisticated devices that can capture images hundreds and thousands of feet beneath the ground. Only then will the answers be found, and everyone will know whether there are indeed the famous tunnels and treasure trove. 

Until then, enthusiasts can read stories, ask old-timers about it, and examine the map on various platforms. They can form their own opinions about the legendary superior humans because, whether real or not, no law prohibits people from fantasizing about anything.

The COVID-19 pandemic has wreaked havoc in the entire world, causing panic among individuals with its atrocity. Several cities in the US are facing the pandemic’s monstrosity, while different departments and officials are revamping their strategies to contain the outbreak.

Los Angeles suffered a similar fate when the pandemic took eleven more lives in April 2020. With this, COVID-19 has claimed 65 lives in the country, making it one of the most gruesome pandemics that the US has ever experienced.

Meanwhile, an official statement confirmed that the number of coronavirus cases had risen to 3,518 since the pandemic began in 2019. The pandemic is on a rampage and has seen no boundaries when it comes to human lives.

Rich or poor, the coronavirus has strangulated the lives of different individuals. The death toll in LA has seen many popular individuals, including a famous musician who succumbed to the lethal virus at the age of 52.

Safety Measures And Face Masks

Reacting to the unprecedented death toll, the LA mayor pursued a bold move to counter the pandemic at his routine press conference. Since Los Angeles is the second-largest city in the US, the mayor advised all residents to wear face masks or other protective gear when going outside.

In the press conference, the mayor emphasized the importance of face masks as the first line of defense against the deadly coronavirus. In fact, the mayor wore a black face mask during the press conference.

Since people do not wear face masks in public places, the mayor explained that it might look surreal or funny at first, but it will benefit everyone in the long run. The mayor further elaborated that people will have to get used to wearing face masks and proclaimed that everyone must follow the rule while going outside.

Furthermore, the mayor took the opportunity to explain that he wanted to set an example and lead the way in bringing about change. 

The mayor further stated, “Wearing face masks in public places and on the streets will help everyone, and that is the way everyone will see each other in the coming days.”

Although the mayor fumbled while wearing the black face mask, he insisted that wearing fabric masks would act as the first line of defense and keep residents from the deadly virus.

Dov Charney Reacted Swiftly.

While the LA mayor emphasized the need to wear face masks in public places, a well-known personality listened closely to the press conference at City Hall. The apparel maker found this news exciting and took the opportunity to produce face masks that everyone would appreciate.

Who Is Dov Charney?

Dov Charney is the founder of American Apparel, who had to step down from his iconic brand in 2014. He started a shop in South LA, naming it Los Angeles Apparel. Although Chrney had to leave his previous workplace, he had built up considerable respect and loyalty there.

Most of his former colleagues and workers joined his new venture, moving down from Central Avenue to South LA. Since Charney was a famous apparel maker in the US, he had clients from different quarters of life.

For instance, Charney joined forces with popular singer Kanye West and Laurence Chandler to produce a hoodie for West’s Yeezy collection. The news set the charts on fire as Charney gained more popularity by collaborating with the famous singer and Rochambeau designer.

Singer Kanye West revealed that creating this hoodie is his dream quest, which he termed “the perfect hoodie,” slated to enhance his Yeezy collection. Likewise, Charney had partnered with several other celebrities to produce various popular clothing lines.

Los Angeles Apparel’s Fabric Masks

Los Angeles Apparel has produced fabrics for different and popular brands over the years. One of Los Angeles Apparel’s most significant achievements began in its early days, when the brand began producing fabric masks for FEMA. 

The brand also launched its website and began selling its unique, exclusive designs there.

In a telephonic interview, Charney explained that Los Angeles Apparel has begun to see increased demand for face masks in the market. In fact, most of his employees wear face masks at work, prompting him to produce face masks for everyone.

Charney further stated that he was working on an idea to produce face masks tailored to everyone’s needs. Once the brand gets everything right and figures out the right fit for everyone, Charney will roll out the face masks.

As the idea came to fruition, the brand had multiple designs available on its website. Customers can order their perfect fit and choose their preferred design or order a mask pack (3 units) for $30.

Charney added that the brand has been giving away free face masks to the needy, to the point that he is losing money while working on the venture.

Dov Charney On Free Mask Donation

As mentioned earlier, Dov Charney donated many free masks to the public to curb the pandemic.

Charney further stated that he is donating a significant amount of the masks produced in his shop to the public. The apparel maker also explained that it was difficult to donate masks to the public, as he had to spend money to make them.

In fact, the Canadian-born entrepreneur had invested $1 million to procure equipment for making masks. Furthermore, he had to adhere to various safety guidelines, such as maintaining social distancing, producing high-quality masks, and conducting medical examinations of each worker to keep the factory virus-free.

Charney also stated that he has installed facial recognition technology in his factory to reduce the need for shared surfaces, such as punch clocks. This technology has allowed him to keep his employees safe and reduce contact with surfaces, helping protect the factory from the deadly coronavirus. 

However, Charney believed that donating masks to the public is a noble act, and if there are additional requirements in the future, he is ready to meet them.

Charney insisted that he didn’t want any COVID cases within his premises, which would have halted his team’s progress in producing high-quality face masks. Furthermore, the entrepreneur noted that everyone in his factory wears a mask (including himself), which keeps everyone safe.

What Happened After The LA Mayor’s Announcement

Los Angeles Mayor Eric Garcetti appears at a Senate Committee on Foreign Relations hearing for his nomination to be Ambassador to the Republic of India on Capitol Hill on Tuesday, Dec. 14, 2021, in Washington, D.C. (Kent Nishimura/Los Angeles Times/TNS)

Soon after the LA mayor announced the news, Charney began a live stream on his company’s Instagram account. He announced that his company would hire hundreds of employees to produce face masks to meet the swelling demand.

His announcement included opportunities for maintenance workers and individuals who knew about order packing. Charney also stated that he would offer handsome salaries to all employees and additional packages for overtime hours.

However, Charney clarified that his company does not guarantee that the masks produced by his company will be as good as the medical ones (N95 face masks). He further stated that people could not wear N95S for the whole day and that first responders should wear N95S.

The core idea behind his fabric masks is to prevent transmission; if an infected person dons one, it will reduce transmission rates significantly. Charney believed that protecting those who are not infected is very important and explained that infected individuals must wear fabric masks to protect others from the deadly virus.

Other Officials Comment On Face Masks.

Meanwhile, Sacramento’s officials cheered on residents for wearing masks and insisted that face masks play a vital role in preventing the spread of coronavirus. 

The official further stated that individuals who wear face masks enhance the fight against this deadly virus and boost the functionality of other guidelines, such as social distancing and lockdown orders.

Furthermore, face masks serve as a primary defense when social distancing is not possible, making them a beneficial and effective measure.

President Donald Trump also expressed his support for wearing masks in public. However, the US president stated that he preferred scarves over face masks because scarves are thicker.

Charney’s Big Step

Charney’s move to produce face masks has significantly reduced transmission rates. The Canadian-born entrepreneur believes that once his employees get the required training, his facility can produce around 300,000 masks per week.

Since Charney’s face masks are different, people could pair them with different outfits without compromising their style. Furthermore, these face masks will help individuals avoid infection and reduce transmission.

Although Charney had to put in immense effort to bring this project to life, he believes his work-life balance is at its best. In fact, Charney channeled his years of expertise in garment-making into this project, enabling him to produce high-quality masks with trendy designs.

In fact, many industry experts termed this opportunity as Charney’s comeback into the mainstream, enhancing his reputation and financial success.

Charney hired hundreds of employees and produced high-quality masks for everyone. His designs and fabric quality rose to popularity in the short term, making him one of the top mask manufacturers in the US.

Charney believed that face masks would remain forever, and that the Western world would need new and improved ones, even if the pandemic ended.